It’s KICK, not KISS

The Hans India November 2012

TV shows no longer believe in KISS – Keep It Simple and Sweet. Instead it is KICK – Keep It Complicated and Knotty.

Serial makers conveniently have started creating rifts between happy 
couples, split the children apart, introduced the ‘other man’ or ‘other woman’ and filled in the crevices with lots of spice and masala.

Manju Latha Kalanidhi

Simple and basic are no longer in vogue. Even on telly, the in-thing is to have it complex and advanced. Not surprisingly, a happily married couple with one or two children going about their lives, celebrating festivals, weekend outings, annual vacations is considered boring. 

So serial makers conveniently have started creating rifts between happy couples, split the children apart, introduced the ‘other man’ or ‘other woman’ and filled in the crevices with lots of spice and masala. So the topper serials like Bade Achche Lagte Hain (Sony 10.30 pm) and Kuch Toh Log Kahenge (Sony 11 am) have all complicated matters for that extra edge. Even before Priya and her husband Ram cosy up for their big family festival, we see them parting ways, little Pihu being torn between parents. 

Ditto with Kya Hua Terra Wada (Sony 10 pm) with super family dynamics – couple split, husband has his own family; wife has her own family; kids move around with new papa and new momma. The other man and woman crossing paths, ex-flames and what nots. Perhaps it is time to have a simple, sweet family drama like Wagle Ki Duniya. Remember that one about a middleclass man, his wife and his two kids. The episodes were a mere reflection of our everyday lives. 

Hunt for Kingfisher Model on NDTV Good Times (11 pm) takes the complexities to another plane altogether. We have no idea why models are made to run a mile, walk on a Burma bridge, snake through a cylinder, sneak through a narrow passageway. In short, the girls run through a muddy obstacle course, swing on ropes and climb ropes to ultimately pose for the photographer’s camera. 

Well, if the idea is to see how fit they are or how sportive they are, it would have made sense. After the race, the contestants are expected to sleep supine, bovine, prone or whatever position possible on a trawler net and actually pose seductively for a photo shoot. The fashion photographer even has the gall to tell the model, who is precariously balancing herself on the net to pout and ‘bring on the feel.’ 

Then it gets tougher. In the second task of the week, the girls take on the guise of a mermaid maiden and pose under a waterfall in a manmade fin. We knew of beauty contests where they are pitted against each other for their physical beauty, vital statistics, their IQ, special talent, culinary skills etc. This time around, their ‘boot camp’ survival instincts are tested. Talk of complicating matters!

As exciting and jeeta jaagta like Big Boss reality show

For some reason being able to blog seems to be my ultimate measure for success. It means you have the time, opportunity, opinion and the writing ability too. However, it always bothers me - what if my blog becomes so popular that my life starts becoming like a jeeta jaagta Big Boss reality show. What if random strangers are peeking into my life and making random judgements about me. Do u think anyone wud be interested in reading abt my life. Two days from now is supposed to be the Doomsday. So I may as well delurk for a day and put my work up on to the world. Wud even one soul bother to put up a post? Do people read my posts at all? Maybe they'll think I am jobless - Hey but then I only put the things I already got published.. so i am not so vela i guess. I can't believe that I am just randomly typing things away without as much as giving it a second look.. Will my blog become like one of those unputdownable, page-turner blogs like the kind of words associated with bestsellers these days.. Let me see how many hits I get.. How  many ppl comment and how many actually have read it. That alone will decide whether this blog needs resurrection... HERE WE GO FOLKS>>>>>

Ten years, ten flops and one ton of toil

“TELLING US THINGS WE DON’T NEED TO KNOW IS WHAT AILS THE INDIAN MOVIE”,
SAYS HOLLYWOOD SCRIPT WRITING COACH ROBERT MCKEE

http://www.thehansindia.info/Updates/pdf/2012/Feb/12//HYD/19.pdf

Edida: The Master of Classics

Published in The Hans India on March 25, 2012

“Not winning the Dadasaheb Phalke Award does not make a difference to me as I have always got more than I had bargained for. My productions have become the biggest grossers of Telugu industry, have won critic’s appreciation and remain etched in people’s hearts. What more can I ask for?” Edida Nageshwara Rao, the man behind masterpieces like ‘Sankarabharanam’ and ‘Sagara Sangamam’ tells Manju Latha Kalanidhi

Edida: The Master of Classics


“Not winning the Dadasaheb Phalke Award does not make a difference to me as I have always got more than I had bargained for. My productions have become the biggest grossers of Telugu industry, have won critic’s appreciation and remain etched in people’s hearts. What more can I ask for?” says Edida Nageshwara Rao, the man behind masterpieces like ‘Sankarabharanam’ and ‘Sagara Sangamam’

It was a monsoon evening in 1980 in Rome. The scene was at the open-air amphitheatre in the historic city where his production ‘Sankarabharanam’ was being screened for an international audience at a film festival. The movie had almost reached its climax and 18 minutes of the movie was left when there was a heavy downpour.

The 1,200-plus audience’s knee-jerk reaction was to stand up and look for a shelter. Surprisingly, not one moved. They stood spellbound in their seats in perfect silence with only the sound of the rain and the song in the movie dominating the ambience. The movie ended. A wave of applause and claps went up to a deafening crescendo. “After having received that standing ovation from an international audience who did not know a word of Telugu, I think there is nothing more I can ask for,” says Edida Nageshwara Rao, 78, as he recalls about his first blockbuster production directed by Kalatapaswi K Vishwanath.

His nomination for the Dadasaheb Phalke Award has brought him back into the news (veteran Bengali actor Soumitra Chatterjee won it for 2011) and not winning it hardly matters to him. Just being nominated with the likes of actor Pran is enough to make him happy, he says. His production house Poornodaya Creations has made classics which not only turned out to be blockbusters but also bagged awards from across the world. The filmography itself is impressive - ‘Sankarabharanam’ (1979), ‘Sagara Sangamam’ (1983), ‘Swathi Muthyam’ (1985), ‘Swayamkrushi’ (1987), ‘Sitaara’ (1983), ‘Seethakoka Chiluka’ (1981). Each of the movies invariably dealt with artistes, their struggles, social issues etc.

His house in Film Nagar, Hyderabad, is also named as ‘Sankarabharanam’. The rangolis on the walls speak of his taste. The drawing room is spartan with no LCDs or Home Theatres. His wife Jayalakhsmi personally fetches water to guests and when the gentleman walks in, he is simplicity personified. Like him, his movies also are simple, yet profound.

No hype, publicity stunts, ‘item songs’ or skin show, the movies went on to break collection records, not just in Andhra Pradesh. ‘Sankarabharanam’ ran for two years at Kavita theatre in Kochi (where the dialogues were in Malayalam, but songs were in Telugu); ‘Sagara Sangamam’ ran for 511 days in Mysore. ‘Siri Siri Muvva’ was screened for 275 days at Shubam Talkies in Chennai. Such was the records the movies broke!

The veteran producer who hails from Kakinada started off as a theatre artiste and was known as ‘Natakala Nageshwara Rao’. During his theatre days, he bumped into actors who put him across to director K Vishwanath. The duo worked together to come up with a list of classics that remain unsurpassable even today for its content and collections. The patriarch of the production house – which is now run by his son Sriram – says he is now retired as he has given his best.

So what is the secret of his stupendous success. “My sound judgement. Whether it was about insisting that Vishwanath retain the innocence of Sivayya’s character (Kamal Haasan) in ‘Swathi Muthyam ‘or not letting the main characters die in ‘Seetakoka Chiluka’ (based on inter-caste love), I prevailed on major decisions and it paid off.

Vishwanath was tempted to make Kamal’s character as a smart one, but I thought it would kill the charm of the movie. Although the original of ‘Seetakoka Chiluka’ in Tamil has the Christian girl and Hindu boy dying at the end and sacrificing their love, I wanted it to have a happy ending when I produced it in Telugu. It was the time when inter-religious marriages were catching up and I wanted to send the right and responsible signal to the society.”

He clarifies that he made each movie with the primary idea of making money. “Obviously it involved huge stakes. However, I never compromised on my values, principles or ethics to make a hit production,” he says.

What does he think about today’s movies not getting any awards in the National level? “Firstly, are there any movies that the producers themselves are confident of?” he asks. He also won the Special Jury award for 2010. “The award came as an afterthought after my nomination for Dadasaheb came by. It is ridiculous and I am embarrassed that the state government thought of it after the national award nomination happened. These awards are based on a jury’s opinion. I would have won if there was a ballet, not the opinion of a biased few,” he added.

Any mistakes he made in his illustrious career? The only movie in which he was not involved personally – but produced it anyway – was ‘Swara Kalpana’ made by Vamsi. “It was the only flop in my career and for obvious reasons.”

Daughter of my dreams

Why do I always feel that moms who blog are truly super women? Perhaps the thought and assumption that if they are married, have kids, perhaps have jobs and still manage to find some time to talk about their child, life and other issues, they must be really good time managers, perhaps they must really be passionate, perhaps they love their wards so much that they dont leave any stone or blog unturned.

Now, will I be able to do this.. Let me give it a try I could discontinue in a few days.. u'll never know. I am not sure how much I can sustain.. but nevertheless..

First, what was it that I wanted when I imagined a family. For some reason, I've always dreamt of having one girl child. My vision of a happy family was - happiness - celebration - festival - girl wearing glittery lehenga and twinking bangles. So there we stop at a girl child.

It is also rooted to my childhood where a friend of mine - who was a single child - somehow managed to get better marks (with my mom bemoaning - she is a single child and her mom must be giving her complete attention), she was better dressed (same reason), she is more talented (their parents can afford such things as they don't have other kids)... So it was my dream to have one child and a girl child at that. What would I have done if I had a son? I would have had another one for a girl. What would I have done if I had two sons.. I would have taken sanyaas!!! Thankfully, I got what a dreamt. End of story!

High drama and mindless Hungama

Why do we Indians need reality shows such as Bigg Boss when we
witness great action 24x7 at the school gate, in the local train, aboard the college bus, across the movie theatre, around the traffic circle
‘Drama in real life’ was a column in Reader’s Digest for most Indians, only until Big Boss made inroads into our living room via the television screen.

Now there is rama, high drama and mindless hungama everyday in the form of these reality shows. For those who tuned in late, Big Boss is a live telecast of the lives of a bunch of cantankerous people from a heterogeneous group held captive under strange circumstances.
http://www.thehansindia.info/News/Article.asp?category=1&subCategory=12&ContentId=18255

Soulful Nightingale

Sunitha GOPARAJU is the voice that has regaled the Telugu audience with over 600 songs and by lending her voice to 80 heroines in 520 movies... write Manju Latha Kalanidhi

Her mobile phone caller tune is in sharp contrast to what she is. The song goes ‘Andamga lena, assalem baalena (Am I not beautiful? Am I really so awful?) but Tollywood singer and dubbing queen Sunitha Goparaju is considered to be one of the most gorgeous singers in the industry with a pleasing personality to match her looks.

Catch her in her Madhapur apartment on any work day morning and you will see a talented multi-tasker who can toss up a dosa, do a conference call with her office, answer a journo’s question and email a picture on her iPad.

On the professional front too, she juggles a host of things. “Like all Indian women, I am a good multi-tasker too. I host live music shows, I dub for the Bollywood girls in Telugu movies. And yes, I am a playback singer too,” she says proudly.
For more contact http://www.thehansindia.info/News/Article.asp?category=2&subCategory=3&ContentId=20053